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dc.contributor.authorHAAHR, MADS
dc.contributor.editorMichael, Punten
dc.date.accessioned2010-01-21T15:21:03Z
dc.date.available2010-01-21T15:21:03Z
dc.date.createdAugusten
dc.date.issued2002
dc.date.submitted2002en
dc.identifier.citationElizabeth Drew and Mads Haahr `Lessness:Randomness, Consciousness and Meaning? in proceedings of Consciousness Reframed 2002: 4th International CAiiA-STAR Research Conference, Perth, Australia, August, ed. Michael Punt, Curtin University of Technology, 2002en
dc.identifier.otherY
dc.identifier.otherY
dc.descriptionPUBLISHEDen
dc.description.abstractLessness is a prose piece by Samuel Beckett in which he used random permutation to order sentences. Like interactive artworks, the piece is experienced as a process that depends upon the participant?s attempts to comprehend and create meaning. Although Lessness is linear prose, its orderly disorder sets up a non-linear reading process in which contradictory perspectives are viewed simultaneously. The piece comprises two of the approximately 8.3 x1081 possible orderings of Beckett?s 60 sentences. The authors have developed a web site that generates versions of Lessness, exploring the effects of the capabilities of computing in the creation and exploration of art.en
dc.format.extent29083 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoenen
dc.publisherCurtin University of Technologyen
dc.rightsYen
dc.subjectChaosen
dc.subjectRandomnessen
dc.subjectSamuel Becketten
dc.subjectpostmodern fictionen
dc.subjectpermutationen
dc.subjectconsciousnessen
dc.titleLessness:Randomness, Consciousness and Meaningen
dc.typeConference Paperen
dc.type.supercollectionscholarly_publicationsen
dc.type.supercollectionrefereed_publicationsen
dc.identifier.peoplefinderurlhttp://people.tcd.ie/haahrm
dc.identifier.rssinternalid12207
dc.identifier.urihttp://hdl.handle.net/2262/36131


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