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dc.contributor.editorOtto Kruse, Christian Rapp, Chris M. Anson Kalliopi Benetos, Elena Cotos, Ann Devitt and Antonette Shibanien
dc.contributor.editorDevitt, Annen
dc.coverage.temporal978-3-031-36033-6en
dc.date.accessioned2023-10-24T14:11:44Z
dc.date.available2023-10-24T14:11:44Z
dc.date.issued2023
dc.date.submitted2023en
dc.identifier.citationOtto Kruse, Christian Rapp, Chris M. Anson, Kalliopi Benetos, Elena Cotos, Ann Devitt and Antonette Shibani, Digital Writing Technologies in Higher Education: Theory, Research, and Practice, Switzerland, Springer, 2023en
dc.identifier.otherY
dc.description.abstractDigital writing, in simple terms, is writing using a digital environment or tool. As with literacy more broadly, for many of us digital environments and tools are increas- ingly prevalent in our writing endeavors. And yet in the field of digital writing, we have no comprehensive overview of which technologies are used in writing, how, when, and where they are used, and what their impact is on writers and their writing processes. This book aims to fill that gap. This introduction sets the stage for the book starting from the inception of digital writing and proceeding through three phases of transformation leading up to the present. We point out the challenges for research and practice in the field of digital writing targeted in this book. We preview how each chapter contributes to a systematic account of digital writing technologies, which builds on past scholarship and sets the research agenda for the future. By “digital writing,” we colloquially mean the use of electronic computing hard- ware and software to write, typically involving personal computers in the form of desktop machines or laptops with programs designed for composing and editing text. More narrowly, digital writing uses an electronic medium to record, store, and display text. Letters and words are inputted through an interface that translates analogue continuous signals into discrete digital ones, removing noise and allowing for retrieval, reproduction, and modification. In a broader semiotic sense, all writing can be called digital because every true writing system makes use of a finite set of discrete and arbitrary elements, the characters or graphemes of the script (see also Goodman, 1968). This book deals only with digital writing in the narrower sense.en
dc.language.isoenen
dc.publisherSpringeren
dc.rightsYen
dc.titleDigital Writing Technologies in Higher Education: Theory, Research, and Practiceen
dc.title.alternativeDigital Writing Technologies in Higher Education: Theory, Research, and Practiceen
dc.typeBooken
dc.type.supercollectionscholarly_publicationsen
dc.type.supercollectionrefereed_publicationsen
dc.identifier.peoplefinderurlhttp://people.tcd.ie/devittan
dc.identifier.rssinternalid257572
dc.identifier.doihttp://dx.doi.org/10.1007/978-3-031-36033-6
dc.rights.ecaccessrightsopenAccess
dc.description.technical978-3-031-36032-9en
dc.subject.TCDThemeDigital Engagementen
dc.subject.TCDTagTechnology in Educationen
dc.subject.TCDTagWriting technologiesen
dc.subject.TCDTagWriting/Composition Educationen
dc.status.accessibleNen
dc.contributor.sponsorSwiss National Science Foundationen
dc.contributor.sponsorGrantNumberIZSEZ0 198960en
dc.identifier.urihttp://hdl.handle.net/2262/104066


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