| dc.contributor.author | Quigley, Paula | |
| dc.date.accessioned | 2024-07-10T09:26:39Z | |
| dc.date.available | 2024-07-10T09:26:39Z | |
| dc.date.issued | 2020 | |
| dc.date.submitted | 2020 | en |
| dc.identifier.citation | Paula Quigley, The art of keeping time, Short Film Studies, 10, 2, 2020, 203 - 206 | en |
| dc.identifier.issn | 2042-7824 | |
| dc.identifier.other | Y | |
| dc.description | PUBLISHED | en |
| dc.description.abstract | Like the protagonist, both the short story and the short film are subject to the demand
to arrive ‘on time’. Violently freed from the imperatives of conventional storytelling,
this film considers the moment when the laws of time and language fall away in
favour of an eternal ‘they is’. | en |
| dc.format.extent | 203 | en |
| dc.format.extent | 206 | en |
| dc.language.iso | en | en |
| dc.relation.ispartofseries | Short Film Studies; | |
| dc.relation.ispartofseries | 10; | |
| dc.relation.ispartofseries | 2; | |
| dc.rights | Y | en |
| dc.subject | Henri Bergson | en |
| dc.subject | ‘duration' | en |
| dc.subject | ‘mathematical time’ | en |
| dc.subject | short film | en |
| dc.subject | short story | en |
| dc.subject | film memory | en |
| dc.title | The art of keeping time | en |
| dc.type | Journal Article | en |
| dc.type.supercollection | scholarly_publications | en |
| dc.type.supercollection | refereed_publications | en |
| dc.identifier.peoplefinderurl | http://people.tcd.ie/pquigley | |
| dc.identifier.rssinternalid | 209697 | |
| dc.identifier.doi | https://doi.org/10.1386/sfs_00015_1 | |
| dc.rights.ecaccessrights | openAccess | |
| dc.identifier.rssuri | https://doi.org/10.1386/sfs_00015_1 | |
| dc.identifier.orcid_id | 0000-0003-2912-2485 | |
| dc.status.accessible | N | en |
| dc.identifier.uri | https://hdl.handle.net/2262/108730 | |
