The Perfect Human and 'modern cinema'

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Item Type:
Journal Article
Date:
2015
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Citation:
Paula Quigley, The Perfect Human and 'modern cinema', Short Film Studies, 5, 2, 2015, 157 - 160
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Abstract:
While this film has been described as ‘modern’ in terms of its style and structure, approaching the film as ‘modern cinema’ in the terms defined by Richard Rushton allows us to consider the effects of its deliberate disjunction between ‘theatricality’ and ‘absorption’, or an exhibitionistic and a voyeuristic regime.
URI:
https://hdl.handle.net/2262/108731
Author's Homepage:
http://people.tcd.ie/pquigley
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PUBLISHED
Author: Quigley, Paula
Type of material:
Journal Article
URI:
https://hdl.handle.net/2262/108731
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Series/Report no:
Short Film Studies;
5;
2;
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Subject:
‘cinema of attractions’, exhibitionism, voyeurism, theatricality, absorption, ‘modern cinema’
Subject (TCD):
Theatre/Film Criticism
DOI:
https://doi.org/10.1386/sfs.5.2.157_1
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