dc.contributor.author | Quigley, Paula | |
dc.date.accessioned | 2024-07-10T09:36:48Z | |
dc.date.available | 2024-07-10T09:36:48Z | |
dc.date.issued | 2016 | |
dc.date.submitted | 2016 | en |
dc.identifier.citation | Paula Quigley, What Children See: Dorthe Scheffmann's The Beach (1995), Short Film Studies, 7, 1, 2016, 55 - 58 | en |
dc.identifier.issn | 2042-7824 | |
dc.identifier.other | Y | |
dc.description | PUBLISHED | en |
dc.description.abstract | This film focuses on an unexpected reaction to a traumatic revelation, witnessed by a
child. However, the final image of the boy resists reduction to its significance for an
adult spectator. Instead, the boy’s unreadable expression returns us to the position of a
child faced with a bewildering grown-up world. | en |
dc.format.extent | 55 | en |
dc.format.extent | 58 | en |
dc.language.iso | en | en |
dc.relation.ispartofseries | Short Film Studies; | |
dc.relation.ispartofseries | 7; | |
dc.relation.ispartofseries | 1; | |
dc.rights | Y | en |
dc.subject | the child | en |
dc.subject | childhood | en |
dc.subject | patriarchy | en |
dc.subject | the gaze | en |
dc.subject | Karen Lury | en |
dc.subject | Emma Wilson | en |
dc.title | What Children See: Dorthe Scheffmann's The Beach (1995) | en |
dc.type | Journal Article | en |
dc.type.supercollection | scholarly_publications | en |
dc.type.supercollection | refereed_publications | en |
dc.identifier.peoplefinderurl | http://people.tcd.ie/pquigley | |
dc.identifier.rssinternalid | 115277 | |
dc.identifier.doi | https://doi.org/10.1386/sfs.7.1.55_1 | |
dc.rights.ecaccessrights | openAccess | |
dc.subject.TCDTheme | Creative Arts Practice | en |
dc.identifier.orcid_id | 0000-0003-2912-2485 | |
dc.identifier.uri | https://hdl.handle.net/2262/108732 | |