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dc.contributor.authorMalone, Hannah
dc.date.accessioned2025-02-11T10:49:08Z
dc.date.available2025-02-11T10:49:08Z
dc.date.issued2023
dc.date.submitted2023en
dc.identifier.citationQuestioning the idea of difficult heritage as applied to the architecture of Fascist Italy. In A Difficult Heritage: The Afterlife of Fascist-Era Architecture, Monuments, and Works of Art in Italy, 2023, Hannah Maloneen
dc.identifier.issn9788836654482
dc.identifier.otherY
dc.descriptionPUBLISHEDen
dc.description.abstractMussolini’s regime sought to change the mindset of Italians by shaping their environment through architecture and urban planning. As such, Fascism had a visible impact on Italian cities in the form of large urban projects, individual buildings, monuments, inscriptions, and decorative features. As a tangible legacy within the spaces of everyday life, these remnants point to the difficulty, or impossibility, of shaking free from the past. Thus, on the surface, Fascist-era architecture presents a typical case of ‘difficult heritage’ in the form of sites that were tied to the dictatorship, but are also indestructible elements of Italy’s patrimony. This is a physical heritage that cannot be fully erased due both to its ubiquity, and its historical and artistic value. That heritage is difficult because it may elicit troubling or divisive memories, but also because it reflects an ideology that is at odds with the values of today’s Republic. Nonetheless, across Italy today, Fascist-era buildings persist without markers or signage, and prompt little comment or controversy (Figure 1). Their presence within cities, towns, and villages impliesuggests that they have been quietly absorbed into the urban fabric and the collective memory. In Italy, a substantial amount of daily life takes place within Fascist buildings or sites, but few tend to notice. For instance, we may ask whether many commuters rushing to reach Brignole Station in Genoa observe the Fascist symbolism as they pass the giant Arch of Victory (Figure 2). In short, as a number of Fascist sites appear to have been comfortably integrated into the national heritage, this invites the question of how dealing with difficult heritage can be markedly easy.en
dc.language.isoenen
dc.rightsYen
dc.titleQuestioning the idea of difficult heritage as applied to the architecture of Fascist Italyen
dc.title.alternativeA Difficult Heritage: The Afterlives of Fascist-Era Art and Architectureen
dc.typeBook Chapteren
dc.type.supercollectionscholarly_publicationsen
dc.type.supercollectionrefereed_publicationsen
dc.identifier.peoplefinderurlhttp://people.tcd.ie/maloneha
dc.identifier.rssinternalid274515
dc.rights.ecaccessrightsopenAccess
dc.identifier.orcid_id0000-0002-7679-4594
dc.status.accessibleNen
dc.identifier.urihttps://hdl.handle.net/2262/110823


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