dc.contributor.author | Malone, Hannah | |
dc.date.accessioned | 2025-02-20T17:01:05Z | |
dc.date.available | 2025-02-20T17:01:05Z | |
dc.date.issued | 2017 | |
dc.date.submitted | 2017 | en |
dc.identifier.citation | Hannah Malone, Redipuglia and the dead, Mausolus, Summer, 2017 | en |
dc.identifier.other | N | |
dc.description | PUBLISHED | en |
dc.description.abstract | Over a hundred thousand bodies are buried in the ossuary of Redipuglia. Created in north-
eastern Italy under the fascist state in 1935–8, it is the largest burial site of the Great War
worldwide.It encloses the remains of Italian soldiers who died in battle within a colossal stone
staircase that emits a powerful sensation of absence, and a silence that suggests that the dead
have been submitted to the rule of the dictatorship. Over thirty ossuaries were created by the
fascist regime in the 1920s and ‘30s as part of a campaign to exploit death for political gain.
The memory of the Great War was harnessed as propaganda for the promotion of militarism,
nationalism, and imperialism. When Benito Mussolini opened Redipuglia in 1938, Italy was
stumbling into another global conflict. Thus, Redipuglia is a powerful example of how funerary
monuments may act as instruments of power, or how the memory of the dead may serve
political ends that overwhelm, or erase, the identity of the individual. | en |
dc.language.iso | en | en |
dc.relation.ispartofseries | Mausolus; | |
dc.relation.ispartofseries | Summer; | |
dc.rights | Y | en |
dc.title | Redipuglia and the dead | en |
dc.type | Journal Article | en |
dc.type.supercollection | scholarly_publications | en |
dc.identifier.peoplefinderurl | http://people.tcd.ie/maloneha | |
dc.identifier.rssinternalid | 274514 | |
dc.rights.ecaccessrights | openAccess | |
dc.subject.TCDTag | Urban History | en |
dc.identifier.orcid_id | 0000-0002-7679-4594 | |
dc.status.accessible | N | en |
dc.identifier.uri | https://hdl.handle.net/2262/111182 | |