| dc.contributor.author | Barret, George, the elder (Irish landscapist, 1728 or 1732-1784) | |
| dc.coverage.spatial | National Trust, Anglesea Abbey | |
| dc.date.accessioned | 2007-11-10T12:34:20Z | |
| dc.date.available | 2007-11-10T12:34:20Z | |
| dc.date.copyright | 1978 | |
| dc.date.issued | 1978 | |
| dc.identifier.citation | Anne Crookshank and the Knight of Glin, The Painters of Ireland c. 1660-1920, London: Barrie and Jenkins Ltd, 1978, p 120, no 104 | en |
| dc.description | In Barret's late works, he thins out the trees, which become much more wispy. This painting is one of the best examples of this in the Italianate style. He was influenced by Richard Wilson and Salvator Rosa. | en |
| dc.format.extent | 191189 bytes | |
| dc.format.medium | oil paint (pigmented coating) | en |
| dc.format.mimetype | image/jpeg | |
| dc.language.iso | en | |
| dc.publisher | Anne Crookshank and The Knight of Glin | en |
| dc.subject | Italianate landscape | en |
| dc.subject.lcsh | Art, Irish | en |
| dc.subject.lcsh | Landscape painting, Irish -- 18th century | en |
| dc.subject.lcsh | Ruins in art | en |
| dc.subject.lcsh | Rivers in art | en |
| dc.subject.lcsh | Mountains in art | en |
| dc.title | Landscape with Ruins | en |
| dc.type | Image | en |
| dc.contributor.role | artist | en |
| dc.coverage.culture | Irish | en |
| dc.format.support | canvas | en |
| dc.subject.period | 18th century | |
| dc.type.work | painting | en |
| dc.identifier.uri | http://hdl.handle.net/2262/12187 | |
