| dc.contributor.author | Elvery, Beatrice (Irish painter, 1883-1968) | |
| dc.date.accessioned | 2008-09-05T12:11:20Z | |
| dc.date.available | 2008-09-05T12:11:20Z | |
| dc.date.issued | 1987 | |
| dc.identifier.citation | Wanda Ryan-Smolin, Elizabeth Mayes and Jenni Rogers. Irish Women Artists, (Dublin: The National Gallery of Ireland, 1987), p 134. | en |
| dc.description | Elvery was a student at the Metropolitan School of Art, Dublin under the tutelage of William Orpen. She was a versatile sculptress, designer and painter associated with An Tur Gloine, the Society of Dublin Painters and the Royal Hibernian Academy. She later married Gordon Campbell, 2nd Baron Glenavy. The present painting is typical of a number of imaginery scenes combining still-life objects and landscape painted after 1933. | en |
| dc.format.extent | 425450 bytes | |
| dc.format.medium | oil paint (pigmented coating) | en |
| dc.format.mimetype | image/jpeg | |
| dc.language.iso | en | |
| dc.subject.lcsh | Painting, British | en |
| dc.subject.lcsh | Painting, Irish | en |
| dc.subject.lcsh | Still-life in art | en |
| dc.subject.lcsh | Unicorns | en |
| dc.subject.lcsh | Hounds | en |
| dc.subject.lcsh | Hunting | en |
| dc.title | Still-Life with garlanded china hound and hare ornament | en |
| dc.type | Image | en |
| dc.contributor.role | artist | en |
| dc.coverage.culture | British | en |
| dc.format.extentdimensions | 40.6 x 50.8 cm | |
| dc.format.support | canvas | en |
| dc.type.work | painting | en |
| dc.identifier.uri | http://hdl.handle.net/2262/21623 | |
