| dc.contributor.advisor | Nash, John | |
| dc.contributor.author | Brown, Katie | |
| dc.date.accessioned | 2016-12-14T10:25:08Z | |
| dc.date.available | 2016-12-14T10:25:08Z | |
| dc.date.issued | 2007 | |
| dc.identifier.citation | Katie Brown, 'James Joyce, music and memory', [thesis], Trinity College (Dublin, Ireland). School of English, 2007, pp 240 | |
| dc.identifier.other | THESIS 8103 | |
| dc.description.abstract | This thesis, James Joyce, Music and Memory, explores the connection between music and Irish cultural memory in Joyce’s works from Chamber Music to the “pure music” of Finnegans Wake. Overall, it shows that Joyce’s ongoing desire to emulate musical forms must be seen in light of Joyce’s wish to come to terms with Irish cultural history, as these are the driving forces that bring about his changes in style. | |
| dc.format | 1 volume | |
| dc.language.iso | en | |
| dc.publisher | Trinity College (Dublin, Ireland). School of English | |
| dc.relation.isversionof | http://stella.catalogue.tcd.ie/iii/encore/record/C__Rb12784235 | |
| dc.subject | English, Ph.D. | |
| dc.subject | Ph.D. Trinity College Dublin | |
| dc.title | James Joyce, music and memory | |
| dc.type | thesis | |
| dc.type.supercollection | thesis_dissertations | |
| dc.type.supercollection | refereed_publications | |
| dc.type.qualificationlevel | Doctoral | |
| dc.type.qualificationname | Doctor of Philosophy (Ph.D.) | |
| dc.rights.ecaccessrights | openAccess | |
| dc.format.extentpagination | pp 240 | |
| dc.description.note | TARA (Trinity’s Access to Research Archive) has a robust takedown policy. Please contact us if you have any concerns: rssadmin@tcd.ie | |
| dc.identifier.uri | http://hdl.handle.net/2262/78293 | |
