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dc.contributor.advisorPatten, Eve
dc.contributor.authorO'Donnell, Nathan
dc.date.accessioned2017-06-27T11:16:18Z
dc.date.available2017-06-27T11:16:18Z
dc.date.issued2014
dc.identifier.citationNathan O'Donnell, 'Notorious amateurism : professionalism and patronage in Wyndham Lewis's art-criticism', [thesis], Trinity College (Dublin, Ireland). School of English, 2014, pp 312
dc.identifier.otherTHESIS 10571
dc.description.abstractIt is the objective of this thesis to trace in the art-criticism of Wyndham Lewis a trajectory of a certain model of professionalisation. In my introduction I trace a crucial fault-line along which the discourse of artistic professionalism developed in England, between Bloomsbury and the more radical avant- garde. In the tension between their opposing ideas about the functions of art and the artist can be traced an important symbolic contest for authority over and control of the profession.
dc.format1 volume
dc.language.isoen
dc.publisherTrinity College (Dublin, Ireland). School of English
dc.relation.isversionofhttp://stella.catalogue.tcd.ie/iii/encore/record/C__Rb16144161
dc.subjectEnglish, Ph.D.
dc.subjectPh.D. Trinity College Dublin
dc.titleNotorious amateurism : professionalism and patronage in Wyndham Lewis's art-criticism
dc.typethesis
dc.type.supercollectionthesis_dissertations
dc.type.supercollectionrefereed_publications
dc.type.qualificationlevelDoctoral
dc.type.qualificationnameDoctor of Philosophy (Ph.D.)
dc.rights.ecaccessrightsopenAccess
dc.format.extentpaginationpp 312
dc.description.noteTARA (Trinity’s Access to Research Archive) has a robust takedown policy. Please contact us if you have any concerns: rssadmin@tcd.ie
dc.identifier.urihttp://hdl.handle.net/2262/80444


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