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dc.contributor.advisorWalker, Tomen
dc.contributor.authorO'NEILL, STEPHEN BERNARDen
dc.date.accessioned2018-04-05T14:02:13Z
dc.date.available2018-04-05T14:02:13Z
dc.date.issued2018en
dc.date.submitted2018en
dc.identifier.citationO'NEILL, STEPHEN BERNARD, The Country and the City in the Irish Novel, 1922-51, Trinity College Dublin.School of English.ENGLISH, 2018en
dc.identifier.otherYen
dc.descriptionAPPROVEDen
dc.description.abstractThis thesis investigates the representation of the country and the city in the Irish novel north and south after partition. The political success of both Irish nationalism and Ulster unionism were partly shaped by a popular understanding of the north as urban and the south as rural in culture and politics. After the ensuing establishment of the northern and southern states, writers used fiction both in response to the dominant discourses of state formation, and as a means of recording what Raymond Williams calls ?immediate living experience? as a form of redress to this political rhetoric. Resituating the novel in these years after partition, this thesis examines the changing and contradictory uses of the rural and the urban over the course of the 1922-51 period. Drawing upon a range of expressions of the country and the city in rhetoric, exhibitions, journalism, and other cultural outputs, the thesis argues that the country and the city were the axial lines upon which the novel and national identity were charted.en
dc.publisherTrinity College Dublin. School of English. Discipline of Englishen
dc.rightsYen
dc.subjecturbanen
dc.subjectpartitionen
dc.subjectnationalismen
dc.subjectIrish Novelen
dc.subjectunionismen
dc.subjectRaymond Williamsen
dc.subjectruralen
dc.titleThe Country and the City in the Irish Novel, 1922-51en
dc.typeThesisen
dc.relation.referencesThe Last Septemberen
dc.relation.referencesThe Loughsidersen
dc.relation.referencesBridie Steenen
dc.relation.referencesThe Wayward Manen
dc.relation.referencesIsland Storyen
dc.relation.referencesDublinersen
dc.relation.referencesA Portrait of the Artist as a Young Manen
dc.relation.referencesLand Without Starsen
dc.relation.referencesNever No More: The Story of a Lost Villageen
dc.relation.referencesThe House in Clewe Streeten
dc.relation.referencesCall My Brother Backen
dc.relation.referencesLost Fieldsen
dc.relation.referencesThe Land of Spicesen
dc.relation.referencesAt Swim-Two-Birdsen
dc.relation.referencesThe Saint and Mary Kateen
dc.relation.referencesDutch Interioren
dc.relation.referencesAdrigooleen
dc.relation.referencesThe Knifeen
dc.relation.referencesIslandersen
dc.relation.referencesThe Wasted Islanden
dc.relation.referencesKing Goshawk and the Birdsen
dc.relation.referencesThe Spacious Adventures of the Man in the Streeten
dc.relation.referencesA Nest of Simple Folken
dc.relation.referencesBird Aloneen
dc.relation.referencesMr Gilhooleyen
dc.relation.referencesThe Informeren
dc.relation.referencesRed is the Port Lighten
dc.relation.referencesGape Rowen
dc.relation.referencesThe Country and the Cityen
dc.relation.referencesUlyssesen
dc.relation.referencesDecember Brideen
dc.type.supercollectionthesis_dissertationsen
dc.type.supercollectionrefereed_publicationsen
dc.type.qualificationlevelPostgraduate Doctoren
dc.identifier.peoplefinderurlhttp://people.tcd.ie/oneillsben
dc.identifier.rssinternalid186642en
dc.rights.ecaccessrightsopenAccess
dc.rights.EmbargoedAccessYen
dc.contributor.sponsorIrish Research Council (IRC)en
dc.contributor.sponsorTrinity College Dublin (TCD)en
dc.contributor.sponsorMarie Curie SPeCTReSS Networken
dc.contributor.sponsorWillson Center at the University of Georgiaen
dc.identifier.urihttp://hdl.handle.net/2262/82739


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