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dc.contributor.advisorNash, John
dc.contributor.authorO'Shea, Colm
dc.date.accessioned2019-05-01T14:45:55Z
dc.date.available2019-05-01T14:45:55Z
dc.date.issued2005
dc.identifier.citationColm O'Shea, 'Joyce's Mandala', [thesis], Trinity College (Dublin, Ireland). School of English, 2005, pp 329
dc.identifier.otherTHESIS 7603
dc.description.abstractThe term "mandala" is a Sanskrit word which can be translated as meaning "sacred circle". The "circle" in this instance typically encloses a highly structured icon which represents a microcosm of the universe and/or consciousness. Today, mandalas are produced by a variety of people from a multitude of backgrounds but these sacred circles were originally constructed by spiritually adept artists from aboriginal cultures in order to represent the experience of subject-object dissolution or even to help actively initiate such a dissolution. Indian and Oriental civilisations developed this spiritual-artistic practice to its zenith in terms of technical sophistication; here multitudes of icons within the design create layers upon layers of esoteric meaning for both the mandala artist and the spectator.
dc.format1 volume
dc.language.isoen
dc.publisherTrinity College (Dublin, Ireland). School of English
dc.relation.isversionofhttp://stella.catalogue.tcd.ie/iii/encore/record/C__Rb12445895
dc.subjectEnglish, Ph.D.
dc.subjectPh.D. Trinity College Dublin
dc.titleJoyce's Mandala
dc.typethesis
dc.type.supercollectionthesis_dissertations
dc.type.supercollectionrefereed_publications
dc.type.qualificationlevelDoctoral
dc.type.qualificationnameDoctor of Philosophy (Ph.D.)
dc.rights.ecaccessrightsopenAccess
dc.format.extentpaginationpp 329
dc.description.noteTARA (Trinity's Access to Research Archive) has a robust takedown policy. Please contact us if you have any concerns: rssadmin@tcd.ie
dc.identifier.urihttp://hdl.handle.net/2262/86571


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