Creation and sub-creation : divine and human authorship in the works of J.R.R. Tolkien
Citation:
Gerard Hynes, 'Creation and sub-creation : divine and human authorship in the works of J.R.R. Tolkien', [thesis], Trinity College (Dublin, Ireland). School of English, 2013, pp 299Download Item:
Abstract:
J.R.R. Tolkien spent the greater part of his adult life constructing an imaginary world; its
cosmology, history, legends, and languages. He described this process as 'sub-creation', a
definition embodying the connection Tolkien saw between human creativity and the divine
act of creation. God creates the primary world and human artists within it, who then
engage in sub-creation, which both changes the primary world and makes secondary,
fictional worlds. All acts of human artistic creativity derive from, and imitate, divine
creativity. This concept is central to Tolkien's understanding of the role, ability, and
limitations of artistic creativity. He incorporated it into both the themes and structures of
his works; sub-creating a world that was itself both a work of art and a meditation on the
dependent, collaborative nature of art.
Author: Hynes, Gerard
Advisor:
Conrad-O Bríain, HelenPublisher:
Trinity College (Dublin, Ireland). School of EnglishNote:
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thesisAvailability:
Full text availableSubject:
English, Ph.D., Ph.D. Trinity College Dublin.Metadata
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