The vernacular church music of William Byrd : a reappraisal of chronology, authenticity and context

Johnstone, Andrew

dc.contributor.advisor	Adams, Martin
dc.contributor.author	Johnstone, Andrew
dc.date.accessioned	2019-11-06T16:21:27Z
dc.date.available	2019-11-06T16:21:27Z
dc.date.issued	2014
dc.identifier.citation	Andrew Johnstone, 'The vernacular church music of William Byrd : a reappraisal of chronology, authenticity and context', [thesis], Trinity College (Dublin, Ireland). Department of Music, 2014, pp 380, pp 387
dc.identifier.other	THESIS 10850.1
dc.identifier.other	THESIS 10850.2
dc.description.abstract	This aim of this thesis is a unified reappraisal of the vernacular church music of William Byrd (c.1540-1623). Specific objectives include the elimination of opera dubia, the distinguishing of adapted consort works from original verse compositions, and the evaluation of developments in Byrd's polyphonic language within the vernacular genres. Attention is also paid to the question of how Byrd's recusancy might have impinged on his composition of Protestant music.
dc.format	2 volumes
dc.language.iso	en
dc.publisher	Trinity College (Dublin, Ireland). Department of Music
dc.relation.isversionof	http://stella.catalogue.tcd.ie/iii/encore/record/C__Rb16212587
dc.subject	Music, Ph.D.
dc.subject	Ph.D. Trinity College Dublin.
dc.title	The vernacular church music of William Byrd : a reappraisal of chronology, authenticity and context
dc.type	thesis
dc.type.supercollection	thesis_dissertations
dc.type.supercollection	refereed_publications
dc.type.qualificationlevel	Doctoral
dc.type.qualificationname	Doctor of Philosophy (Ph.D.)
dc.rights.ecaccessrights	openAccess
dc.format.extentpagination	pp 380
dc.format.extentpagination	pp 387
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dc.identifier.uri	http://hdl.handle.net/2262/90246