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Mirrors of monstrosity: the representation of the outcast in Benjamin Britten's Peter Grimes and Death in Venice

Gavin, Andrew

The figure of the monster is at the heart of Benjamin Britten’s operas. By orchestrating and dramatizing various outcast figures from the world of literature, Britten and his librettists have illustrated that the monster ...

Ur-motifs in the piano works of John Adams

Conway, Eoin

No abstract available

Composition Portfolio

Breslin, Brendan

The following is a descriptive analysis and interpretation of a body of work spanning two years during my Masters of Music postgraduate course in the Royal Irish Academy of Music, Dublin. I will endeavor to give a broad ...

Glitch

Flaherty, Niamh; Dikker, Ronan (2016)

Space cowboy

O'Grady, Aran; Greene McEnerney, Alison (2016)

Brain freeze

Johnston, Georgia; Phelan, Shaun (2016)

Sonata no 1 for cello and piano, 2nd movement

Cullivan, Tom; Cleary, Annette; Ó Cuinneagáin, Pádhraic (2014)

Sonata no 2 for cello and piano, 3rd movement

Cullivan, Tom; Cleary, Annette; Ó Cuinneagáin, Pádhraic (2014)

The Butterfly - Aaron's Key

Walsh, Brendan; McDonagh, Ailbhe; O'Connor, Lynda (Trio Elatha, 2015)

The Process of Preparing Irish Cello Sonatas (1968-1996) for Performance

Cleary, Annette

This dissertation focuses on all the sonatas for cello and piano by Irish composers in the second half of the twentieth century. The sonatas, seven in total, were composed between 1968 and 1996 and show little similarity ...