Royal Irish Academy of Music: Recent submissions
Now showing items 61-80 of 83
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RIAM Opera Briefs 2012 Review
(Opera, 2013-03) -
Semele Review
(Opera, 2012-04) -
Organ building in seventeenth- and eighteenth-century Dublin and its English connections
(The British Institute of Organ Studies, 1997) -
Royal Irish Academy of Music 2015-2016 Events Calendar
(Royal Irish Academy of Music, 2015) -
Performance Considerations for Robert O’Dwyer’s Eithne (1909): A Contextual Study and Edited Vocal Score
Robert O’Dwyer’s Eithne (1909) is recognised as the first opera to be performed in the Irish language. Based on the Irish folklore legend, Éan an cheoil bhinn or ‘bird of the sweet music’, the work is at once representative ... -
Towards a Historically Informed Performance of Chopin’s Op. 10 Études
In the 1970s, historically informed performance practice became a major movement which involved performers and musicologists alike. Earlier, historically informed performances and scholarship focused on Baroque repertoires ... -
Untitled (after Dan Flavin): soundtrack and 8 computer controlled lights
(2013)‘untitled (after Dan Flavin)’ draws influence from the American visual artist Dan Flavin (1933-1996), who is known for creating sculptural light installations arranged in simple geometric patterns. Flavin used only those ... -
Breathe
(2013)Breath is an Audio-Visual Installation for 12 DC Motors, Propellers, Plastic Bags and an Arduino producing algorithmically generated rhythmic sequences. -
Dance suite, 4th movement, Maggot
(Atoll, 2015)The halls of 18th century Dublin resounded with this music, much of it now rediscovered and recorded for the first time. -
Sonata for violin and piano in E minor, op 46, 2nd movement
(Champs Hill Records, 2013)Michele Esposito spent almost his whole professional life in Ireland, and he was a respected and hugely influential figure throughout that time - indeed, a very lynch-pin of Irish musical life. Though his own compositions ... -
Opera Briefs 2016 flyer
(2016-03)The RIAM, in collaboration with The Lir National Academy of Dramatic Art, is delighted to return to Project Arts Centre for Opera Briefs, a creative partnership between The Lir and the RIAM which sees both organisations ... -
Hindemith's voices
(The Musical Times, 2011) -
The second muse of Gerard Manley Hopkins
(The Musical Times, 2007) -
Ballade no 4 in F minor, op 52
(2010) -
Sonata for cello and piano, op 43, 3rd movement
(Champs Hill Records, 2013)Michele Esposito spent almost his whole professional life in Ireland, and he was a respected and hugely influential figure throughout that time - indeed, a very lynch-pin of Irish musical life. Though his own compositions ... -
Paddy Whack with variations
(Atoll, 2015)The halls of 18th century Dublin resounded with this music, much of it now rediscovered and recorded for the first time. -
Drums and Guns
(2016-03)The powerful combination of music and literature and the collective talents of three institutions are the foundation stones for an exciting collaborative project led by renowned pianist and Guildhall professor Iain Burnside. ... -
Contrasts in John Field reception: the Parisian 'Images'
(Brepols, 2015) -
French basso continuo performance technique: a study of the arpeggiated gesture in the prélude non mesuré (c1650-c1720)
To compensate for the evanescent nature of the harpsichord, improvised techniques evolved within Italian and French keyboard repertoire so as to avoid ‘leaving the instrument empty’.1 In France, these techniques consisted ... -
Suor Angelica
(2015-03)The Royal Irish Academy of Music in collaboration with The Lir National Academy of Dramatic Art at Trinity College Dublin presents Suor Angelica, an opera by Giacomo Puccini (1858-1924). Original libretto by Giovacchino ...
